A few days ago, the early morning sunrise illuminated the now bare forest, and finally only a pencil thin focus shone on one birch tree, giving it a bright orangey glow. And today there was snow!
Each summer, the children would set out from the cottage on Round Lake by canoe to explore this favourite little river. An old spruce tree had turned red as it dries, and stumps and logs could be found to maneuver around, and often wildlife was seen. I did this quick study from a photo.
Autumn splendor, Thanksgiving, guests from Europe, traveling - all a whirlwind of activity. How difficult it is to keep to my commitment of painting, let alone a painting a day! So today when all fell quiet, I painted where I was and what I saw - the evening sun on the bare trees. PS Nov 2 - improved version posted - have added some darks.
The autumn colours are in their full glory, and yesterday the wind was blowing so that leaves scattered all over. Even though it is Thanksgiving weekend with company coming and all, I had to quickly get a start on the fall version for the series I had planned to do. Not fully pleased yet. Might do some changes or start another one tomorrow.
These are the rescued wedding flowers that were standing around, still looking brilliant and yet past their full glory. I was trying to capture their intensity and vibrancy as they were fading.
Everything is green in Provence in May. It was a great colour mixing opportunity to see how many greens I could create. This painting is actually long and narrow but it was photographed smaller - both ends are cut off.
Jan 15 - now that I know how to trim, here is the full painting.
Hard to believe that vines can be that limey, but they were in May in the Vaucluse in Provence. We were working on composition au plein air. I was hoping that the eye is lead into and around the painting, but those vivid yellow-green grape vines really dominate the whole scene. The photo seems even more intense than the actual painting. I need a better set up for photographing the paintings....any tips?
There is lots to painting a simple bowl! I could continue fiddling with this one. But now I am going to pack up the easel until after the wedding. Maybe I will do three extra ones next week.
I have started a painting today but couldn't finish and so I post one already done. Tomorrow I have to pack up the easel to make room for guests coming. The driveway was painted in late August. I plan to do a series - one per season.
Wedding plans are scooting along and I even managed to paint. My thoughts of the young couple come through, as the two apples beside an empty bowl that is symbolic of life holding their full potential and all possibilities. On the painting note, I think darker shadowing is needed on the left side of the bowl.
As this wedding takes on a life of it's own and forges forward, I decided to paint so that I can calm myself and listen, to hear what it has to say. The dishes are all stacked, ready, so I took two mugs to symbolize the pair, on a plate of life. The handles intertwined when I put them down, and so it stayed that way. The dishes are actually white, and in working on the shadowing, came out more blue. One mug is leaning a bit, towards the partner, so I'll leave it for now. It has been my therapy.
With the wedding energy around, I am in a different space. I tried to paint the fresh produce that was on the counter today. Posting has been deleted - and I feel better!
Today, I had to post a painting that was done earlier, because Frederic and Katie decided to get married in a week rather a year due to cross border timing. So the next 10 days will be on/off for painting. This sunflower stood so strong and tall but with a wonderful quirky twist. I think the inner core of the flower needs something. Suggestions?
This is a copy of a Carol Marine painting. I just had to try her interesting angular style with those quick short confident strokes. Of course my strokes did not come close to hers. But the exercise taught me how important it is to see the subject properly, and have many subtle value and colour changes.
Finally a plein aire day! Mary and I went out just as the late afternoon started to cast long shadows. This is a pathway on my parents property that used to lead to the beehives. The silver maple glittered in the sun. When a breeze blew, the leaves turned and showed their very white underbelly. I still plan to put in some stems and branches to give it more form. Left is an old woodpile. It still needs something to define it more, don't you think?
My brother-in-law Harry grows the most beautiful gladiolas and always brings a bouquet when visiting. I finally decided to paint one - starting out carefully, gently trying to get the translucent pastel colours, which resulted only in an abundance of light values that said nothing. Annoyed, I wanted to wipe out and start again but instead went in with strong colours and bold strokes. It was with nearly carefree reckless abandon - a bit of an attack. I was pleased with the improvement and oddly satisfied with the moment. Of course, I wanted to repeat the exercise for the learning. This is the second one.
Now the pears and plums are cozy together. Last chance to paint them before they are either eaten or overripe and gone. There is an orange underpainting which seems to give the painting a certain glow.
I painted this in the evening and did not see the colours well enough. In daylight, it is a lot of purple....well, at least change from all of the yellow and oranges. I had been looking at how Carol Marine does her fruit - quick and decisive, and then trying to follow Arthur Stern's book "How to See Color and Paint it". I try to get into the science of it, and then the feeling part wants to take over and smooth around with the paint.
These brown-eyed-susies were rescued from the lawnmower at the garden edge, so I had to paint them. But it took several attempts to get the background right, and then the vase....oh my...but here it is.
Today I ordered an Open Box M Palm pochade, a tiny plein air painting box of great design and high quality! I look forward to going outside for the fall colours and even winter scenes.
Was away today, so this is the challenge of painting every day. At least I have one to post from another day - a quick study on painting glass - it was quite liberating to paint this in black and white and just focus on reflections and refraction.
Because it was no nice outside, I painted this one plein air. But it went through so many stages of confusion into finally a bit of a mess, just like the flowers that are mixed in with the weeds. I should have wiped it all out, but there is that strange element of attachment - maybe this stroke will bring it all together - not!
The set up had a shiny rusty orange fabric as background and so the reflections became very bright. The bowl was difficult and still looks a bit off. But it was fun to paint - lots of up energy.
Here is my first post. I was so inspired and intrigued by Carol Marine's blog that I did this painting of zuccini from my garden, and from there started the internal challenge - can I really do a painting a day? wouldn't that be a major growing curve! I have to do this!
There is something exhilarating about painting – the whole creative process, the learnings and the discoveries, and always – the challenges. I started painting in watercolour when the children were leaving home. A few years later, my artist mother suggested oils, and it has become a passion. I share my journey with this blog as I stretch myself with the exhuberant intention of painting daily.