Last summer, Harry had rows of sunflowers. There were many expressive types and I had planned to paint some for fun. The sky colour did not turn out in the photo - it is ultramarine blue and much stronger.
Couldn't get painting today - starting sorting and cleaning up my painting area - and then I went outside. After a long Canadian winter, 10 degree Celsius and sun is balmy. So I brought out my Pochade box and painted a pool of water that was reflecting the sky. It was great to paint outside, but after a while, quite chilly and so I did this rather quick.
The intent was to use the zigzaging lines to lead the eye to the upper right barn, but I think they instead converge and stop at the lower right spot. Tried some new ideas with the sky using several colours, same value. Work with perspective on the building - guess this is what is called a "study".
Mary and I painted outside today - first time this year. The sun was warm, the snow is melting and we went to work. After planning, sketching and painting, the end result was very dull and weak. Mary was working with a palette knife and suggested that I use up my leftover paint and do a quick study with the knife. Here it is, and with great glee I wiped down the other one.
Photos from past trips are being pulled out again, and I remember the interesting colours of olive trees. It think that they are a bit too light in value. but they were satisfying to paint.
Was looking up rose paintings from old and contemporary masters today - and a friend has suggested Manet. So this one is inspired by Manet, and my friend.
More roses, and besides being painted they are now being sketched too. And I bought a new bunch to go through this exercise again. My thinking is that eventually I will know them so well that they will appear on the canvas in a few natural strokes....at least that is the intention.
Woody Woodpecker zoomed past the window in a moment when I was thinking about what to paint next, maybe even going outside but feeling the weight of choosing a "correct" composition. I had just read the many responses to Robert Genn's request for an online critique of his painting http://clicks.robertgenn.com/your-opinion.php. Everyone has an opinion, often a different one. So in the end, follow your own rhythm.
A pair of pileated woodpeckers live in our forest and poke around the trees. Seeing him whiz by just fueled a desire to paint that moment...and for now, not worry about the composition. It will serve as my reminder to follow my own unique rhythm and flight.
Am back on the subject of roses again, for they seem quite challenging to me - they tantalize, and beg to be painted and then they become a swirl of petals and I get confused and lost in the maze of details. At least the light coloured rose was easier to work with then the intense red one.
Because this red is such a delicious colour, I had to discipline myself and keep it to a minimum. This scene is from Provence when Ian took those who wanted to paint poppies so that we would get it out of our system. Must say, it still is IN my system.
Today Mary and I did an exercise from the book "How to See and Paint Colour" by Arthur Stern. The idea was to see all the different colours reflected in a shiny metal pot that is surrounded by red, blue and yellow bristol board and paint what we see, rather than what we think we see.
There is something exhilarating about painting – the whole creative process, the learnings and the discoveries, and always – the challenges. I started painting in watercolour when the children were leaving home. A few years later, my artist mother suggested oils, and it has become a passion. I share my journey with this blog as I stretch myself with the exhuberant intention of painting daily.